‘Spider-Man’ burglar on trial over EUR1 00 m Paris art theft

Vjeran Tomic goes on trail for theft that included jobs by Picasso and Matisse from citys Modern Art Museum

A burglar known as Spider-Man , notorious for daring acrobatic heists, goes on trial Monday for the 2010 fraud of a 100 m carry that included employments by Picasso and Matisse from a Paris gallery.

Vjeran Tomic, 49, who is facing 14 indictments, will stand experiment along with two accomplice charged with administering embezzled goods.

The 3 were billed over the May 2010 robbery at the Modern Art Museum of five covers by Henri Matisse, Pablo Picasso, Georges Braque, Ferdinand Leger and Amedeo Modigliani.

On 19 May, 2010, a burglar cut through a padlocked entrance and break-dance a window to get into the gallery, one of the most-visited museums in Paris on the leafy banks of the Seine, in the shade of the Eiffel Tower.

The museums consternations had been awaiting reparation for various weeks and the burglar somehow managed to knock cold a defence camera.

Three protectors were on duty that night, but the covers were simply found to be missing from their frames just as the museum prepared to open to the public the next day.

When police detained the Serb in May 2011, Tomic told them he had initially broken into the museum for Legers Still Life with Candlestick from 1922 , not pondering he would also is the possibility of plagiarize another four.

Henri Matisses La Pastorale( Pastoral, 1906 ). The artwork was one of five working depicts been stealing from the City Museum of Modern Art in Paris, in May 2010. Photograph: Universal News And Sport/ EPA

Besides the Leger canvas, the other drives embezzled were Picassos cubist Dove with Green Peas from 1912 importance an estimated 25 m ($ 26.8 million) alone French contemporary Matisses Pastoral from 1905, Braques Olive Tree near Estaque from 1906, and Modiglianis Woman with a Follower from 1919.

All but the Modigliani were hung in the same room in the museum, located in the well-heeled 16 th district of Paris, which is run by the city and is dwelling to more than 8,000 duties of 20th-century art.

Tomic said he took them all because he liked the paintings.

Authorities made the total cost of the drag at 100 m ($ 107 million ), but some experts said they were worth twice that, while admitting it would be totally impossible to sell them on the open market.

French police apprehended Tomic after receiving an anonymous tip-off. Surveillance cameras from the evening of the heist recorded only one person entering through a space but the person could not be identified.

Tomic, an athletic 1.90 m( 6 foot 2) rock climbing lover, earned his nickname for clambering into luxuriou Parisian accommodations and museums alike, to plagiarize valuable pearls and works of art.

Authorities said he was recognized by a homeless mortal as he prowled around the museum in the days leading to the theft.

And they say Tomics mobile phone or that of one of his accomplices established a signal “re coming out” that area during the heist.

They trailed the signal to a Paris metro station then to a parking lot in the urban centres. Sovereignties believe that is where he may have sold the paints to a first dealer.

A second merchant claimed he held on to the covers for a short period of time before he dumped them in a trash barrel, which dominions do not believe.

International police body Interpol put out an notify to its 188 member countries in the hope of regaining the five paints, but so far they all persist missing.

There has been a spate of prowes steals in Europe in recent years.

The most recent, in 2015, concerned the fraud of five covers worth 25 m by renowned British master Francis Bacon in Madrid.

Spanish police detained seven beings last year suspected of being involved in the theft.

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